I promise, this is the last time I'll post about my BQ Four-Patch Kaleidoscope Quilt (Just a quick recap, I substituted four-patch kaleidoscope blocks in the large block of the BQ pattern). But, I thought I'd share a picture of the finished product in my 5th-wheel camper - quilt, headboard, curtains and pillowcases. It looks so rich and luxurious - definitely not how I camped as a little girl!
QuiltCon. Even the name sounds modern. So I was expecting lots of young, hip women with pink and purple hair sporting lots of tats with fingers flying as they sent out tweets on their phones. What I got was a convention center full of women (and a few men, even my husband!) of all ages coming together to ohh and aww at a room full of quilts - almost like every other quilt show I've attended. Almost.
Yes, there was an occasional brightly-colored hairdo and a few tattoos. There was even a tattoo booth where people could get a new piece of body art! Many of the trade booths were showing how modernly techy they were by holding contests encouraging attendees to post selfies on Instagram for prizes. But I also saw a bus-load of quilters sporting their gray hair and feeling just as modern as those 20-somethings that were toting babies around. Just as I suspected - Quilters come in all shapes, sizes, ages and walks of life.
QuiltCon was a four-day event that featured classes, lectures and workshops from a variety of quilters, plus a vendor and quilt show. Since I didn't really know if I'd get to work this into our busy vacay schedule, I didn't register for any classes prior to the conference; and of course, most were sold out, so I only attended the vendor and quilt show with my not-too-excited husband in tow.
The first booth inside the door was Riley Blake Fabrics with this beautiful butterfly gown display....
You could get both real and fake tattoos at different booths at QuiltCon. I elected to carry my fake tattoos out in my bag - might save them for some retreat fun later.
I tested my Kona IQ. I think I failed - but I learned what the color 'Thistle" looks like (might come in handy some time here at Thistle Thicket Studio).
And no, I didn't ride the bucking sewing machine in the Stitch Lab booth. Only in Austin, Texas!
I got to meet Jenny Doan of Missouri Star Quilt Company fame. She's just as down-to-earth as you would expect. And I ran into fellow Kansan Lynne Hagmeier of Kansas Troubles and we chatted for awhile before she gave a presentation. Wished I'd remembered to snap a pic!
Here are some of my observations of what 'modern' means in quilting today....
Whether it was self-expression through self-portraits or capturing emotion through facial expression or body position, portraits were popular.
Face #1 by Melissa Averinos, West Barnstable, Massachusetts. Winner of QuiltCon's Judges Choice Award. Quilted by Suzanne Whiteside.
(The American Context #16) Christina's World by Luke Haynes, Los Angeles, California.
Typography was also popular. What better way to get your message across - whether it's humor, commentary, or identification.
The Definition of Stitch by Sarah Fielke, Chatswood, New South Wales, Australia, Quilted by Kim Bradley.
Tough Titties by Adrianne Reid, Wellington, Wellington, New Zealand
Central Jersey MQG Banner by Members of the Central Jersey Modern Quilt Guild, Phillipsburg, New Jersey, 3rd Place Group Quilts.
Many modern quilts are defined by their use of negative space.
Eclipse by Members of Hope Circle, Bellevue, Kentucky.
Rainbow Triangles by Kat Drinkwater, Jennifer Ferriss-Salter, Mai Flourry, Briawna Hugh, Lisa McGriff, Dhia Peach, Gabrielle Robles, Kari Stewart, Carla Voorhees, Louise Wackerman, Silver Spring, Maryland, Quilted by Carla Voorhees.
Colorado 4x4 by Stephanie Ruyle, Denver, Colorado.
Chandelier by Lee Heinrich, Mequon, Wisconsin.
Stock on Hand by Katherine Jones, Chigwell, Tasmania, Australia. 2nd Place Bias Tape Challenge.
Huckleberry by Rebecca Bryan, Wildwood, Missouri.
Feathers by Shannon Page, Dallas, Texas.
Many of the quilts displayed featured solid, bright fabrics and repeating patterns or random patterns.
Tessellation 3 by Nydia Kehnle, Monroe, New York.
Here's a close-up of the quilting on the Tessellation quilt. Wish I had taken more photos of the quilting on these quilts, some were amazing!
Bauble by Emily Cier, Seattle, Washington.
Score For Bias Strip Petals: Daisy by Sherri Lynn Wood, Oakland, California.
Gypsy Wife by Catherine Mosely, Cameron Park, New South Wales, Australia. Pattern by Jen Kingwell.
Wavelength by Lee Heinrich, Mequon, Wisconsin.
Grand Pineapple - Dichotomy by Allison Lee, Raleigh, North Carolina.
Lastly, there was a display of 'modern' quilts from the 70's. How many of you have grandmothers who made quilts from polyester like this one? I have a polyester quilt from my husband's grandmother. I doubt she considered herself a modern quilter!
Rail Fence, from the collection of Bill Volckening, Maker Unknown.
What do you consider modern quilting to be? Do you consider yourself a modern quilter? Well, whether you do or don't, if you are a quilter, you'll enjoy QuiltCon! I did.
Well, technically, it wasn't just me and Alex, but a room full of quilters anxious to enjoy an afternoon of Italian thread and accents. Alex Veronelli is the face and voice of Aurifil Thread; and he is in the Austin, Texas area this week for THE end-all, be-all modern quilt convention - QuiltCon. So what does any good "Brand Jedi" (as he dubs himself) do? He holds workshops at area quilt shops to promote his product - Aurifil Thread.
Alex took us inside his factory to show us how Aurifil thread is made from start to finish (except for one or two top secret steps) via video - a 15 step process. He also shared a few tips about using Aurifil, and a whole lot of eye candy!
Here's a few of his tips.....
The color of the plastic spools indicate the weight of thread. Orange spools are 50 wt., green spools are 40 wt., gray spools are 28 wt., and red spools are 12 wt. Easy to differentiate without a label.
Aurifil is a 2-ply cotton thread produced in several weights for different uses. Alex recommends 50 weight thread for piecing and sewing; 40 weight for machine embroidery and machine quilting; 28 weight for hand quilting; and 12 weight for hand embroidery. Of course, there are no hard and fast rules as Alex quickly showed a quilt that was machine quilted with 12 weight thread. A great way to make the quilting stand out.
Alex recommends using 50 wt. thread in the bobbin when using 50, 40 & 28 weight thread on top; and 40 wt. thread in the bobbin when using 12 wt. thread.
He also recommends using a 90-14 needle with 12 wt. thread; 80-14 for 28 wt.; and 70-14 for 40 & 50 wt. thread.
Aurifil also makes a wool thread; and 6-strand embroidery floss wound on wooden spools - no more tangled skeins of floss! Aurifil is also in the development stage of a linen thread.
Of course, no quilt workshop would be complete without some eye candy! Alex shared an array of quilts made by various designers (sorry, I didn't get that info to give credit to everyone) using Aurifil thread.
Alex closed the show with this portrait quilt made by an artist of the dashing Alex Veronelli. See the resemblance?
Stay tuned as next week I hope to check out what all the excitement is about QuiltCon!
Bet you thought I'd tossed this little project aside already. Nope, I'm still plugging away, although at a snail's pace. While I'm still working on sewing hexies onto Round 2 of Rosette 1, I decided to play with my fabrics to see what Round 3 might look like. Here's my first stab at fabric selection....
Then I decided to substitute a purple fabric in for some of the light blue diamonds.
Not totally set on the pink striped fabric. I may switch out all the light blue diamonds for purple then use the light blue where the pink striped hexies are. I'll keep you posted.
In the meantime, instructions and paper pieces for Rosette 2 are laying in my bag. I can hear them calling me to come play with them. Oh help, this is getting addicting!